New Naqqaliشاهنامه
Tyranny and Liberation · A5.8

Fereydoon and the Minister of Zahhak

A steward can arrange a feast for one king and report it to another. The resulting dialogue turns the language of hospitality into an exposure of lost authority.

F&R English · 53 couplets · 9 commentary entries

The chapter in five texts

TextChapter treatment and distinctive choices
F&R EnglishFifty-three couplets sustain a tightly shaped exchange: recognition, feast, report, evasive guesthood and the provocation that finally drives Zahhak to action.
MoscowPrinted pp 71–74 retain the steward’s entry and report, including the sexual details and the hair-from-dough image.
MohlPrinted pp 52–54 preserve the extended guesthood dialogue and Kundrav’s reply to the powerless dismissal.
GanjoorSh11 has 53 couplets with direct local correspondence. Equal counts here do not make the English’s name-explanation or every spatial detail verbally exact.
KhaleghiPrinted pp 78–82 retain the alternating speeches. The women’s intimacy is conveyed through an interested messenger’s report rather than a separate omniscient bedroom scene.

Parallel text

English left · Persian right. Ganjoor is the reference except where a row names a printed source. Select a number to open the relevant note. G identifiers distinguish digital sections across chapter boundaries.

1+
While Zahhak ranged abroad and left the state,
A wealthy servant stayed to watch and wait.
چو کشور ز ضحاک بودی تهی
یکی مایه‌ور بد به سان رهی
Ganjoor z11 1
2+
He held much treasure, palace, throne, and hall,
A steward deeply mindful of it all.
که او داشتی گنج و تخت و سرای
شگفتی به دلسوزگی کدخدای
Ganjoor z11 2
3+
They called him Kundrav; walking at his side,
He moved one pace behind the tyrant’s stride.
ورا کندرو خواندندی بنام
به کندی زدی پیش بیداد گام
Ganjoor z11 3
4+
He hurried to the palace in surprise;
A newly crowned king met his startled eyes.
به کاخ اندر آمد دوان کندرو
در ایوان یکی تاجور دید نو
Ganjoor z11 4
5+
Serene he sat within the royal hall,
A cypress ringed by moon-bright beauties all.
نشسته به آرام در پیشگاه
چو سرو بلند از برش گرد ماه
Ganjoor z11 5
6+
Shahrnaz, cypress-tall, sat at his right;
Moon-faced Arnavaz shone, a beauty bright.
ز یک دست سرو سهی شهرناز
به دست دگر ماه‌روی ارنواز
Ganjoor z11 6
7+
The city brimmed with troops who did his will,
While girded ranks stood marshaled, poised and still.
همه شهر یک‌سر پر از لشکرش
کمربستگان صف زده بر درش
Ganjoor z11 7
8+
Kundrav felt no fear, nor asked the reason why;
He bowed with reverence, then came nearby.
نه آسیمه گشت و نه پرسید راز
نیایش‌کنان رفت و بردش نماز
Ganjoor z11 8
9+
He blessed him: “King, may you forever reign,
As long as time and turning world remain.
بر او آفرین کرد کای شهریار
همیشه بزی تا بود روزگار
Ganjoor z11 9
10+
Blessed your seat, your royal farr and fame;
You merit well the Shahanshah’s great name.
خجسته نشست تو با فرهی
که هستی سزاوار شاهنشهی
Ganjoor z11 10
11+
May all Seven Climes serve beneath your hand;
May your head rise above the rain-cloud’s band.”
جهان هفت کشور تو را بنده باد
سرت برتر از ابر بارنده باد
Ganjoor z11 11
12+
Fereydoon called him forward to draw near;
Kundrav disclosed his rank and office clear.
فریدونش فرمود تا رفت پیش
بکرد آشکارا همه راز خویش
Ganjoor z11 12
13+
The Shah commanded, “Let the feast be great;
Prepare the board before the hour grows late.
بفرمود شاه دلاور بدوی
که رو آلت تخت شاهی بجوی
Ganjoor z11 13
14+
Bring wine and minstrels; let the cups be poured;
With every fitting dish adorn the board.
نبیذ آر و رامشگران را بخوان
بپیمای جام و بیارای خوان
Ganjoor z11 14
15+
Bring those whose music merits my delight,
Whose knowledge lifts the heart and clears the sight.
کسی کاو به رامش سزای من است
به دانش همان دلزدای من است
Ganjoor z11 15
16+
Assemble all around my royal throne,
In state befitting fortune now my own.”
بیار انجمن کن بر تخت من
چنان چون بود در خور بخت من
Ganjoor z11 16
17+
The steward heard and did the king’s command;
He set the feast exactly as was planned.
چو بشنید از او این سخن کدخدای
بکرد آنچه گفتش بدو رهنمای
Ganjoor z11 17
18+
He brought bright wine and minstrels skilled in art,
And noble guests of rank and honored heart.
می روشن آورد و رامشگران
همان در خورش با گهر مهتران
Ganjoor z11 18
19+
Fereydoon cast his grief aside that night,
And held a feast in royal joy and light.
فریدون غم افکند و رامش گزید
شبی کرد جشنی چنان چون سزید
Ganjoor z11 19
20+
When revels stilled and night had settled down,
Kundrav slipped out from him who wore the crown.
چو شد رام گیتی دوان کندرو
برون آمد از پیش سالار نو
Ganjoor z11 20
21+
He mounted then a swift and tireless steed,
And rode to Zahhak with the utmost speed.
نشست از بر بارهٔ راه‌جوی
سوی شاه ضحاک بنهاد روی
Ganjoor z11 21
22+
When he arrived, he stood before the king;
He told him all that sight and sound could bring.
بیآمد چو پیش سپهبد رسید
سراسر بگفت آنچه دید و شنید
Ganjoor z11 22
23+
He said, “O king, the signs are plain to view:
Your fortune’s turning now is plain to you.
بدو گفت کای شاه گردنکشان
به برگشتن کارت آمد نشان
Ganjoor z11 23
24+
Three proud men march, their army is now near;
They come from foreign lands, their purpose clear.
سه مرد سرافراز با لشکری
فراز آمدند از دگر کشوری
Ganjoor z11 24
25+
The youngest stands between the elder pair,
Cypress-tall, royal in mien, proud and fair.
از آن سه یکی کهتر اندر میان
به بالای سرو و به چهر کیان
Ganjoor z11 25
26+
Though youngest in his years, his worth is more;
He strides ahead of those who came before.
به سال است کهتر فزونیش بیش
از آن مهتران او نهد پای پیش
Ganjoor z11 26
27+
He bears a gorz like one great mountain stone;
It shines amid the ranks with light its own.
یکی گُرز دارد چو یک لخت کوه
همی تابد اندر میان گروه
Ganjoor z11 27
28+
On horseback through your royal eyvan came
The other two beside him, men of name.
به اسپ اندر آمد به ایوان شاه
دو پرمایه با او همیدون براه
Ganjoor z11 28
29+
He sat upon the ancient royal seat,
And broke your bonds and spells beneath his feet.
بیآمد به تخت کئی بر نشست
همه بند و نیرنگ تو کرد پست
Ganjoor z11 29
30+
Whoever in your eyvan stood that hour,
Both mortal men and Divs who served your power,
هر آن کس که بود اندر ایوان تو
ز مردان مرد و ز دیوان تو
Ganjoor z11 30
31+
He struck them down together, rank on rank;
Their brains with blood across the pavement sank.”
سر از پای یک‌سر فرو ریختشان
همه مغز با خون برآمیختشان
Ganjoor z11 31
32+
Zahhak replied, “Perhaps it should be so;
A guest should find delight where he may go.”
بدو گفت ضحاک شاید بدن
که مهمان بود شاد باید بدن
Ganjoor z11 32
33+
Kundrav said, “A guest who comes to your hall,
Who bears an ox-head gorz before us all,
چنین داد پاسخ ورا پیشکار
که مهمان ابا گُرزهٔ گاوسار
Ganjoor z11 33
34+
Who boldly takes your station as his own,
And strips you of your girdle and your throne,
به مردی نشیند به آرام تو
ز تاج و کمر بسترد نام تو
Ganjoor z11 34
35+
Who bends the court and realm to his own way;
If this is guesthood, call it so today.”
به آیین خویش آورد ناسپاس
چنین گر تو مهمان شناسی شناس
Ganjoor z11 35
36+
Zahhak replied, “Why grieve? A guest more bold
Brings better omens, or so I am told.”
بدو گفت ضحاک چندین منال
که مهمان گستاخ بهتر به فال
Ganjoor z11 36
37+
Kundrav replied, “I heard the words you say;
Now hear me too, and answer if you may.
چنین داد پاسخ بدو کندرو
که آری شنیدم تو پاسخ شنو
Ganjoor z11 37
38+
If this renowned man truly is your guest,
Why in your shabestan has he found rest?
گر این نامور هست مهمان تو
چه کارستش اندر شبستان تو
Ganjoor z11 38
39+
Why sit with Jamshid’s daughters side by side,
And speak of every matter they decide?
که با دختران جهاندار جم
نشیند زند رای بر بیش و کم
Ganjoor z11 39
40+
One hand now rests on fair Shahrnaz’s cheek;
One brushes Arnavaz’s lips as they speak.
به یک دست گیرد رخ شهرناز
به دیگر عقیق لب ارنواز
Ganjoor z11 40
41+
At dark of night he does still worse than this;
Their musk-dark tresses serve his bed of bliss.
شب تیره‌گون خود بتر زین کند
به زیر سر از مشک بالین کند
Ganjoor z11 41
42+
Those musk-black tresses of the moon-faced two
Belong to those your heart once held as true.
چو مشک آن دو گیسوی دو ماه تو
که بودند همواره دلخواه تو
Ganjoor z11 42
43+
Half-drunk, he draws them close against his breast;
That is no proper conduct for a guest.”
بگیرد به برشان چو شد نیم مست
بدین گونه مهمان نباید به دست
Ganjoor z11 43
44+
Zahhak erupted like a maddened beast;
He wished for death when Kundrav’s words had ceased.
برآشفت ضحاک برسان کرگ
شنید آن سخن کآرزو کرد مرگ
Ganjoor z11 44
45+
With filthy curses and a thunderous cry,
He raged against his fortune and the sky.
به دشنام زشت و به آواز سخت
شگفتی بشورید با شور بخت
Ganjoor z11 45
46+
He shouted, “In this royal house of mine,
No longer shall you serve in steward’s line!”
بدو گفت هرگز تو در خان من
از این پس نباشی نگهبان من
Ganjoor z11 46
47+
Kundrav replied, “O king, I think you right;
That judgment now accords with present plight.
چنین داد پاسخ ورا پیشکار
که ایدون گمانم من ای شهریار
Ganjoor z11 47
48+
No share of former fortune now remains;
How can you grant me, then, the steward’s reins?
کز آن بخت هرگز نباشدت بهر
به من چون دهی کدخدایی شهر
Ganjoor z11 48
49+
If you no longer hold the royal seat,
How can you place an office at my feet?
چو بی‌بهره باشی ز گاه مهی
مرا کارسازندگی چون دهی
Ganjoor z11 49
50+
First set your own affairs before they slide;
No such disaster ever reached your side.
چرا تو نسازی همی کار خویش
که هرگز نیامدت از این کار پیش
Ganjoor z11 50
51+
From greatness’ crown you have been drawn so low,
Like one hair cleanly pulled from kneaded dough.
ز تاج بزرگی چو موی از خمیر
برون آمدی مهترا چاره گیر
Ganjoor z11 51
52+
Your enemy has come and seized your throne,
Ox-headed gorz in hand, his claim made known.
تو را دشمن آمد به گه برنشست
یکی گُرزهٔ گاوپیکر به دست
Ganjoor z11 52
53+
He broke your spells and stripped them of their might;
He took your loves and seized your royal right.”
همه بند و نیرنگت از رنگ برد
دلارام بگرفت و گاهت سپرد
Ganjoor z11 53

Narrative and poetic form

The English can follow the Persian’s local order closely here because the alternating dialogue already supplies its dramatic architecture. The guesthood evasions give way to sexual provocation, then to the paradox of a dispossessed king trying to dismiss an officer.

The commentary preserves that sharpness while identifying what is reported, what is figurative and what the English makes more concrete. Kundrav’s speech is consequential information delivered with a purpose, not neutral omniscience.

Couplet commentary

Quoted text · evidence · interpretation
1–7A steward finds a new court
1
While Zahhak ranged abroad and left the state,
A wealthy servant stayed to watch and wait.
چو کشور ز ضحاک بودی تهی
یکی مایه‌ور بد به سان رهی
Ganjoor z11 1
2
He held much treasure, palace, throne, and hall,
A steward deeply mindful of it all.
که او داشتی گنج و تخت و سرای
شگفتی به دلسوزگی کدخدای
Ganjoor z11 2
3
They called him Kundrav; walking at his side,
He moved one pace behind the tyrant’s stride.
ورا کندرو خواندندی بنام
به کندی زدی پیش بیداد گام
Ganjoor z11 3
4
He hurried to the palace in surprise;
A newly crowned king met his startled eyes.
به کاخ اندر آمد دوان کندرو
در ایوان یکی تاجور دید نو
Ganjoor z11 4
5
Serene he sat within the royal hall,
A cypress ringed by moon-bright beauties all.
نشسته به آرام در پیشگاه
چو سرو بلند از برش گرد ماه
Ganjoor z11 5
6
Shahrnaz, cypress-tall, sat at his right;
Moon-faced Arnavaz shone, a beauty bright.
ز یک دست سرو سهی شهرناز
به دست دگر ماه‌روی ارنواز
Ganjoor z11 6
7
The city brimmed with troops who did his will,
While girded ranks stood marshaled, poised and still.
همه شهر یک‌سر پر از لشکرش
کمربستگان صف زده بر درش
Ganjoor z11 7
Textual evidence

Ganjoor z11 1–7; Mohl I p 52; Moscow I pp 71–72; Khaleghi I pp 78–79.

Interpretation

Kundrav controls treasure, palace and household during the ruler’s absence. His name is associated with slow movement or hesitant progress before injustice. “One pace behind” makes that association spatial and numerical beyond the source’s explicit wording; the pun does not supply a measured following-distance. The cypress and encircling moons form a royal tableau. The source places one woman on each side without itself specifying right and left.

Return to parallel text

8–12Homage without interrogation
8
Kundrav felt no fear, nor asked the reason why;
He bowed with reverence, then came nearby.
نه آسیمه گشت و نه پرسید راز
نیایش‌کنان رفت و بردش نماز
Ganjoor z11 8
9
He blessed him: “King, may you forever reign,
As long as time and turning world remain.
بر او آفرین کرد کای شهریار
همیشه بزی تا بود روزگار
Ganjoor z11 9
10
Blessed your seat, your royal farr and fame;
You merit well the Shahanshah’s great name.
خجسته نشست تو با فرهی
که هستی سزاوار شاهنشهی
Ganjoor z11 10
11
May all Seven Climes serve beneath your hand;
May your head rise above the rain-cloud’s band.”
جهان هفت کشور تو را بنده باد
سرت برتر از ابر بارنده باد
Ganjoor z11 11
12
Fereydoon called him forward to draw near;
Kundrav disclosed his rank and office clear.
فریدونش فرمود تا رفت پیش
بکرد آشکارا همه راز خویش
Ganjoor z11 12
Textual evidence

Ganjoor z11 8–12; Mohl I p 52; Moscow I p 72; Khaleghi I p 79.

Interpretation

The steward neither panics nor asks how the new ruler arrived. His blessings recognize present authority while revealing his own office. The English’s fluency preserves the scene’s disquieting ease: the servant can perform homage before deciding what it means for loyalty. The later report to Zahhak prevents this greeting from being mistaken for a permanent conversion to Fereydoon’s cause.

Return to parallel text

13–19A feast consolidates the occupation
13
The Shah commanded, “Let the feast be great;
Prepare the board before the hour grows late.
بفرمود شاه دلاور بدوی
که رو آلت تخت شاهی بجوی
Ganjoor z11 13
14
Bring wine and minstrels; let the cups be poured;
With every fitting dish adorn the board.
نبیذ آر و رامشگران را بخوان
بپیمای جام و بیارای خوان
Ganjoor z11 14
15
Bring those whose music merits my delight,
Whose knowledge lifts the heart and clears the sight.
کسی کاو به رامش سزای من است
به دانش همان دلزدای من است
Ganjoor z11 15
16
Assemble all around my royal throne,
In state befitting fortune now my own.”
بیار انجمن کن بر تخت من
چنان چون بود در خور بخت من
Ganjoor z11 16
17
The steward heard and did the king’s command;
He set the feast exactly as was planned.
چو بشنید از او این سخن کدخدای
بکرد آنچه گفتش بدو رهنمای
Ganjoor z11 17
18
He brought bright wine and minstrels skilled in art,
And noble guests of rank and honored heart.
می روشن آورد و رامشگران
همان در خورش با گهر مهتران
Ganjoor z11 18
19
Fereydoon cast his grief aside that night,
And held a feast in royal joy and light.
فریدون غم افکند و رامش گزید
شبی کرد جشنی چنان چون سزید
Ganjoor z11 19
Textual evidence

Ganjoor z11 13–19; Mohl I p 52; Moscow I p 72; Khaleghi I pp 79–80.

Interpretation

Royal furnishings, wine, skilled musicians and worthy companions are requested. The English gives feast preparation clear imperatives and preserves the distinction between pleasure and knowledgeable companionship. Fereydoon sets grief aside for one night. This is not evidence that the earlier purpose of vengeance has disappeared; the still-absent tyrant remains outside the new court’s control.

Return to parallel text

20–27The messenger reconnects dream and event
20
When revels stilled and night had settled down,
Kundrav slipped out from him who wore the crown.
چو شد رام گیتی دوان کندرو
برون آمد از پیش سالار نو
Ganjoor z11 20
21
He mounted then a swift and tireless steed,
And rode to Zahhak with the utmost speed.
نشست از بر بارهٔ راه‌جوی
سوی شاه ضحاک بنهاد روی
Ganjoor z11 21
22
When he arrived, he stood before the king;
He told him all that sight and sound could bring.
بیآمد چو پیش سپهبد رسید
سراسر بگفت آنچه دید و شنید
Ganjoor z11 22
23
He said, “O king, the signs are plain to view:
Your fortune’s turning now is plain to you.
بدو گفت کای شاه گردنکشان
به برگشتن کارت آمد نشان
Ganjoor z11 23
24
Three proud men march, their army is now near;
They come from foreign lands, their purpose clear.
سه مرد سرافراز با لشکری
فراز آمدند از دگر کشوری
Ganjoor z11 24
25
The youngest stands between the elder pair,
Cypress-tall, royal in mien, proud and fair.
از آن سه یکی کهتر اندر میان
به بالای سرو و به چهر کیان
Ganjoor z11 25
26
Though youngest in his years, his worth is more;
He strides ahead of those who came before.
به سال است کهتر فزونیش بیش
از آن مهتران او نهد پای پیش
Ganjoor z11 26
27
He bears a gorz like one great mountain stone;
It shines amid the ranks with light its own.
یکی گُرز دارد چو یک لخت کوه
همی تابد اندر میان گروه
Ganjoor z11 27
Textual evidence

Ganjoor z11 20–27; Mohl I pp 52–53; Moscow I pp 72–73; Khaleghi I p 80.

Interpretation

The steward rides away once the world or revels have quieted. His description of three men and the superior younger one echoes Zahhak’s dream. It is a report of what he saw and heard, not a new chronological introduction of brothers who had been absent from the march. The mountain-like gorz makes royal threat visible before Kundrav describes what has been done with it.

Return to parallel text

28–31Reported slaughter and broken spells
28
On horseback through your royal eyvan came
The other two beside him, men of name.
به اسپ اندر آمد به ایوان شاه
دو پرمایه با او همیدون براه
Ganjoor z11 28
29
He sat upon the ancient royal seat,
And broke your bonds and spells beneath his feet.
بیآمد به تخت کئی بر نشست
همه بند و نیرنگ تو کرد پست
Ganjoor z11 29
30
Whoever in your eyvan stood that hour,
Both mortal men and Divs who served your power,
هر آن کس که بود اندر ایوان تو
ز مردان مرد و ز دیوان تو
Ganjoor z11 30
31
He struck them down together, rank on rank;
Their brains with blood across the pavement sank.”
سر از پای یک‌سر فرو ریختشان
همه مغز با خون برآمیختشان
Ganjoor z11 31
Textual evidence

Ganjoor z11 28–31; Mohl I p 53; Moscow I p 73; Khaleghi I p 80.

Interpretation

Kundrav reports mounted entry, seizure of the throne and the destruction of spells and defenders, both human and Div. The English preserves the brutality of the report. Those details belong to the messenger’s account to his master, supplementing the earlier entry scene; they should not be presented as a second invasion of the palace. The source’s blood-and-brain image makes the report hard to domesticate into a harmless visit.

Return to parallel text

32–36The absurd language of guesthood
32
Zahhak replied, “Perhaps it should be so;
A guest should find delight where he may go.”
بدو گفت ضحاک شاید بدن
که مهمان بود شاد باید بدن
Ganjoor z11 32
33
Kundrav said, “A guest who comes to your hall,
Who bears an ox-head gorz before us all,
چنین داد پاسخ ورا پیشکار
که مهمان ابا گُرزهٔ گاوسار
Ganjoor z11 33
34
Who boldly takes your station as his own,
And strips you of your girdle and your throne,
به مردی نشیند به آرام تو
ز تاج و کمر بسترد نام تو
Ganjoor z11 34
35
Who bends the court and realm to his own way;
If this is guesthood, call it so today.”
به آیین خویش آورد ناسپاس
چنین گر تو مهمان شناسی شناس
Ganjoor z11 35
36
Zahhak replied, “Why grieve? A guest more bold
Brings better omens, or so I am told.”
بدو گفت ضحاک چندین منال
که مهمان گستاخ بهتر به فال
Ganjoor z11 36
Textual evidence

Ganjoor z11 32–36; Mohl I p 53; Moscow I p 73; Khaleghi I p 80.

Interpretation

Zahhak answers the threat as if a guest were merely enjoying hospitality. Kundrav counters with a guest who carries the ox-head weapon, occupies the seat and removes the host’s authority. The English’s conversational exchange keeps the irony alive. The tyrant’s favorable-omen maxim can be heard as evasive reassurance; the text does not require the commentator to diagnose a particular mental condition.

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37–43The report turns deliberately sexual
37
Kundrav replied, “I heard the words you say;
Now hear me too, and answer if you may.
چنین داد پاسخ بدو کندرو
که آری شنیدم تو پاسخ شنو
Ganjoor z11 37
38
If this renowned man truly is your guest,
Why in your shabestan has he found rest?
گر این نامور هست مهمان تو
چه کارستش اندر شبستان تو
Ganjoor z11 38
39
Why sit with Jamshid’s daughters side by side,
And speak of every matter they decide?
که با دختران جهاندار جم
نشیند زند رای بر بیش و کم
Ganjoor z11 39
40
One hand now rests on fair Shahrnaz’s cheek;
One brushes Arnavaz’s lips as they speak.
به یک دست گیرد رخ شهرناز
به دیگر عقیق لب ارنواز
Ganjoor z11 40
41
At dark of night he does still worse than this;
Their musk-dark tresses serve his bed of bliss.
شب تیره‌گون خود بتر زین کند
به زیر سر از مشک بالین کند
Ganjoor z11 41
42
Those musk-black tresses of the moon-faced two
Belong to those your heart once held as true.
چو مشک آن دو گیسوی دو ماه تو
که بودند همواره دلخواه تو
Ganjoor z11 42
43
Half-drunk, he draws them close against his breast;
That is no proper conduct for a guest.”
بگیرد به برشان چو شد نیم مست
بدین گونه مهمان نباید به دست
Ganjoor z11 43
Textual evidence

Ganjoor z11 37–43; Mohl I p 53; Moscow I pp 73–74; Khaleghi I pp 80–81.

Interpretation

The steward escalates from public rule to the shabestan, touching the women’s faces and lips, musk-like hair as pillow and a half-drunken embrace. These images are in the source. The English’s “bed of bliss” makes their erotic force explicit.

This is an interested messenger’s report designed to provoke Zahhak, not an independently narrated view of everything in the chamber. It is also not evidence that the women consented to Zahhak’s earlier captivity. The change of audience and purpose matters when reading the scene’s sexual detail.

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44–46Jealous fury and the hollow dismissal
44
Zahhak erupted like a maddened beast;
He wished for death when Kundrav’s words had ceased.
برآشفت ضحاک برسان کرگ
شنید آن سخن کآرزو کرد مرگ
Ganjoor z11 44
45
With filthy curses and a thunderous cry,
He raged against his fortune and the sky.
به دشنام زشت و به آواز سخت
شگفتی بشورید با شور بخت
Ganjoor z11 45
46
He shouted, “In this royal house of mine,
No longer shall you serve in steward’s line!”
بدو گفت هرگز تو در خان من
از این پس نباشی نگهبان من
Ganjoor z11 46
Textual evidence

Ganjoor z11 44–46; Mohl I pp 53–54; Moscow I p 74; Khaleghi I p 81.

Interpretation

The source compares Zahhak’s eruption to a karg, commonly understood here as a rhinoceros-like fierce beast. “Maddened beast” retains force while generalizing the animal. His threat to dismiss the steward presumes the very household authority he has just lost. The English keeps that verbal attempt at control, setting up the rejoinder.

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47–53An office cannot be granted from a lost throne
47
Kundrav replied, “O king, I think you right;
That judgment now accords with present plight.
چنین داد پاسخ ورا پیشکار
که ایدون گمانم من ای شهریار
Ganjoor z11 47
48
No share of former fortune now remains;
How can you grant me, then, the steward’s reins?
کز آن بخت هرگز نباشدت بهر
به من چون دهی کدخدایی شهر
Ganjoor z11 48
49
If you no longer hold the royal seat,
How can you place an office at my feet?
چو بی‌بهره باشی ز گاه مهی
مرا کارسازندگی چون دهی
Ganjoor z11 49
50
First set your own affairs before they slide;
No such disaster ever reached your side.
چرا تو نسازی همی کار خویش
که هرگز نیامدت از این کار پیش
Ganjoor z11 50
51
From greatness’ crown you have been drawn so low,
Like one hair cleanly pulled from kneaded dough.
ز تاج بزرگی چو موی از خمیر
برون آمدی مهترا چاره گیر
Ganjoor z11 51
52
Your enemy has come and seized your throne,
Ox-headed gorz in hand, his claim made known.
تو را دشمن آمد به گه برنشست
یکی گُرزهٔ گاوپیکر به دست
Ganjoor z11 52
53
He broke your spells and stripped them of their might;
He took your loves and seized your royal right.”
همه بند و نیرنگت از رنگ برد
دلارام بگرفت و گاهت سپرد
Ganjoor z11 53
Textual evidence

Ganjoor z11 47–53; Mohl I p 54; Moscow I p 74; Khaleghi I pp 81–82.

Interpretation

Kundrav answers that the king lacks the position from which to confer office. The hair drawn from dough gives a memorable image of clean separation; it is not an additional torture of Zahhak’s body. Crown, spells and beloved companions are all lost in the report’s conclusion. The English preserves the pointed logic rather than smoothing it into respectful ministerial advice.

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Chapter source record