New Naqqaliشاهنامه
Zal and Rudabeh · A8.18

The Mobadan Question Zal

Six riddles test whether the young warrior can see ordinary time, celestial alternation and mortality beneath images of trees, horses, travelers and cities.

F&R English · 26 couplets · 6 commentary entries

The chapter in five texts

TextChapter treatment and distinctive choices
F&R EnglishTwenty-six couplets retain all six riddles and their final interpretive challenge.
MoscowPp 219–220 retain the riddle sequence, with local alternative and additional lines in the apparatus.
MohlPp 165–166 supply the full questions in the received narrative order.
GanjoorSh20.2–27 supplies 26 couplets after its secrecy order has closed A8.17.
KhaleghiThe questions can be consulted within pp 247–250.

Parallel text

English left · Persian right. Ganjoor is the reference except where a row names a printed source. Select a number to open the relevant note. G identifiers distinguish digital sections across chapter boundaries.

1–6+
The Shah then summoned Zal to test his mind,
With riddles deep and subtly designed.
The Mobadan and sages, gathered near,
Cloaked all their meanings, subtle and unclear.
One hailed him sharp of mind and clear of sight,
Whose wisdom pierced what others hid from light.
One spoke to him and offered this first test:
“What are the twelve tall cypresses all dressed
In perfect form, upright in shining grace,
Each crowned with thirty branches in its place?
No more, no less, by Persian count they stand;
Declare their nature, if you understand.”
بخواند آن زمان زال را شهریار
کزو خواست کردن سخن خواستار
بدان تا بپرسند ازو چند چیز
نهفته سخنهای دیرینه نیز
نشستند بیدار دل بخردان
همان زال با نامور موبدان
بپرسید مر زال را موبدی
ازین تیزهش راه‌بین بخردی
که از ده و دو تای سرو سهی
که رُسته‌ست شاداب با فرهی
ازآن برزده هر یکی شاخ سی
نگردد کم و بیش در پارسی
Ganjoor · m20:2-7
7–11+
Another said: “Now tell us, if you know,
What are two steeds forever on the go?
One gleams like crystal, radiant, clear, and bright;
The other like a sea of pitch at night.
They race in haste, each striving on its course,
Yet neither overtakes the other horse.”
A third then asked: “What thirty riders go
Before their king in one long, steady flow?
One seems to vanish when the count is made,
Yet count once more, and thirty stand displayed.”
دگر موبدی گفت کای سرفراز
دو اسپ گرانمایه و تیزتاز
یکی زان به کردار دریای قار
یکی چون بلور سپید آبدار
بجنبید و هر دو شتابنده‌اند
همان یکدیگر را نیابنده‌اند
سه‌دیگر چنین گفت کان سی سوار
کجا بگذرانند بر شهریار
یکی کم شود باز چون بشمری
همان سی بود باز چون بنگری
Ganjoor · m20:8-12
12–14+
A fourth inquired: “What is that meadow wide,
Where streams run full and grasses thick abide,
To which a reaper comes, his sickle keen,
And cuts alike the withered and the green?
He hears no cry, nor answers any plea;
What is that field, and who can this man be?”
چهارم چنین گفت کان مرغزار
که بینی پر از سبزه و جویبار
یکی مرد با تیز داسی بزرگ
سوی مرغزار اندر آید سترگ
همی بدرود آن گیا خشک و تر
نه بردارد او هیچ ازآن کار سر
Ganjoor · m20:13-15
15–18+
Another spoke: “What are those cypress trees,
A lofty pair beside the tossing seas?
A bird upon the pair has made its rest,
At dusk on one, at dawn upon the next.
When it flies off, the leaves grow dry and bare;
Where it alights, musk scents the waiting air.
Together never are the two seen green;
One fresh with life, the other dry and lean.”
دگر گفت کان برکشیده دو سرو
ز دریای با موج برسان غرو
یکی مرغ دارد بریشان کنام
نشیمش به شام آن بود این به بام
ازین چون بپرد شود برگ خشک
برآن بر نشیند دهد بوی مشک
ازآن دو همیشه یکی آبدار
یکی پژمریده شده سوگوار
Ganjoor · m20:16-19
19–24+
The sixth then said: “Upon a mountain height
I saw a fortress, strong before my sight.
Its people left that mountain stronghold’s site,
And chose a thorny plain for their delight.
There in the thorn-land they began to dwell,
And raised tall roofs where moonlit shadows fell.
The former city vanished from their mind;
Its name and memory both were left behind.
But suddenly the earth one day shall shake,
And all their settled country ruin take.
Then memory of the former town shall rise,
And long regret shall fill the people’s eyes.
بپرسید دیگر که بر کوهسار
یکی شارستان یافتم استوار
خرامند مردم ازان شارستان
گرفته به هامون یکی خارستان
بناها کشیدند سر تا به ماه
پرستنده گشتند و هم پیشگاه
وزآن شارستان‌شان به دل نگذرد
کس از یاد کردن سخن نشمرد
یکی بومهین خیزد از ناگهان
بر و بومشان پاک گردد نهان
بدان شارستان‌شان نیاز آورد
هم اندیشگان دراز آورد
Ganjoor · m20:20-25
25–26+
Now look behind the veil these riddles cast;
Search out the hidden meanings held there fast.
Declare the secret now before the learned,
And let the black earth into musk be turned.”
به پرده درست این سخنها بجوی
به پیش ردان آشکارا بگوی
گر این رازها آشکارا کنی
ز خاک سیه مشک سارا کنی
Ganjoor · m20:26-27

Narrative and poetic form

The English preserves the distinction among the six puzzles, including the two different tree images. The commentary prepares their answers without pretending that one rigid modern scientific scheme explains every image.

Couplet commentary

Quoted text · evidence · interpretation
1–6Twelve trees with thirty branches
1–6
The Shah then summoned Zal to test his mind,
With riddles deep and subtly designed.
The Mobadan and sages, gathered near,
Cloaked all their meanings, subtle and unclear.
One hailed him sharp of mind and clear of sight,
Whose wisdom pierced what others hid from light.
One spoke to him and offered this first test:
“What are the twelve tall cypresses all dressed
In perfect form, upright in shining grace,
Each crowned with thirty branches in its place?
No more, no less, by Persian count they stand;
Declare their nature, if you understand.”
بخواند آن زمان زال را شهریار
کزو خواست کردن سخن خواستار
بدان تا بپرسند ازو چند چیز
نهفته سخنهای دیرینه نیز
نشستند بیدار دل بخردان
همان زال با نامور موبدان
بپرسید مر زال را موبدی
ازین تیزهش راه‌بین بخردی
که از ده و دو تای سرو سهی
که رُسته‌ست شاداب با فرهی
ازآن برزده هر یکی شاخ سی
نگردد کم و بیش در پارسی
Ganjoor · m20:2-7
Textual evidence

The court assembles for the questions; the first describes twelve cypresses each bearing thirty branches in the Persian count.

Interpretation

The English retains the riddle’s controlled numbers. This is a schematic calendrical image, not a complete modern calendar specification; the answer will name months and days without setting out every intercalary or additional day.

Return to parallel text

7–11Racing horses and a vanishing rider
7–11
Another said: “Now tell us, if you know,
What are two steeds forever on the go?
One gleams like crystal, radiant, clear, and bright;
The other like a sea of pitch at night.
They race in haste, each striving on its course,
Yet neither overtakes the other horse.”
A third then asked: “What thirty riders go
Before their king in one long, steady flow?
One seems to vanish when the count is made,
Yet count once more, and thirty stand displayed.”
دگر موبدی گفت کای سرفراز
دو اسپ گرانمایه و تیزتاز
یکی زان به کردار دریای قار
یکی چون بلور سپید آبدار
بجنبید و هر دو شتابنده‌اند
همان یکدیگر را نیابنده‌اند
سه‌دیگر چنین گفت کان سی سوار
کجا بگذرانند بر شهریار
یکی کم شود باز چون بشمری
همان سی بود باز چون بنگری
Ganjoor · m20:8-12
Textual evidence

The white/crystal and black/pitch horses cannot catch each other; the thirty riders lose one and become thirty again.

Interpretation

The English preserves the two distinct puzzles rather than treating both as the same day/night image. The first concerns alternation; the second concerns the lunar count’s recurring variation.

Return to parallel text

12–14The reaper has not yet been named
12–14
A fourth inquired: “What is that meadow wide,
Where streams run full and grasses thick abide,
To which a reaper comes, his sickle keen,
And cuts alike the withered and the green?
He hears no cry, nor answers any plea;
What is that field, and who can this man be?”
چهارم چنین گفت کان مرغزار
که بینی پر از سبزه و جویبار
یکی مرد با تیز داسی بزرگ
سوی مرغزار اندر آید سترگ
همی بدرود آن گیا خشک و تر
نه بردارد او هیچ ازآن کار سر
Ganjoor · m20:13-15
Textual evidence

A sickle-bearing man cuts dry and green grass without stopping. English already says he hears no plea, a detail developed in the later Persian answer.

Interpretation

This anticipation strengthens the menace without revealing the answer. It transfers an explanatory attribute into the question, so it should be described as redistribution rather than a new seventh riddle.

Return to parallel text

15–18A bird shifts vitality between two trees
15–18
Another spoke: “What are those cypress trees,
A lofty pair beside the tossing seas?
A bird upon the pair has made its rest,
At dusk on one, at dawn upon the next.
When it flies off, the leaves grow dry and bare;
Where it alights, musk scents the waiting air.
Together never are the two seen green;
One fresh with life, the other dry and lean.”
دگر گفت کان برکشیده دو سرو
ز دریای با موج برسان غرو
یکی مرغ دارد بریشان کنام
نشیمش به شام آن بود این به بام
ازین چون بپرد شود برگ خشک
برآن بر نشیند دهد بوی مشک
ازآن دو همیشه یکی آبدار
یکی پژمریده شده سوگوار
Ganjoor · m20:16-19
Textual evidence

The bird rests alternately on two cypresses; one flourishes while the other dries.

Interpretation

The English preserves the deliberately puzzling dawn/evening language. The answer’s larger half-year pattern should not be flattened into the simpler claim that these are only two trees representing one ordinary day.

Return to parallel text

19–24A forgotten stronghold and a chosen thorn-land
19–24
The sixth then said: “Upon a mountain height
I saw a fortress, strong before my sight.
Its people left that mountain stronghold’s site,
And chose a thorny plain for their delight.
There in the thorn-land they began to dwell,
And raised tall roofs where moonlit shadows fell.
The former city vanished from their mind;
Its name and memory both were left behind.
But suddenly the earth one day shall shake,
And all their settled country ruin take.
Then memory of the former town shall rise,
And long regret shall fill the people’s eyes.
بپرسید دیگر که بر کوهسار
یکی شارستان یافتم استوار
خرامند مردم ازان شارستان
گرفته به هامون یکی خارستان
بناها کشیدند سر تا به ماه
پرستنده گشتند و هم پیشگاه
وزآن شارستان‌شان به دل نگذرد
کس از یاد کردن سخن نشمرد
یکی بومهین خیزد از ناگهان
بر و بومشان پاک گردد نهان
بدان شارستان‌شان نیاز آورد
هم اندیشگان دراز آورد
Ganjoor · m20:20-25
Textual evidence

People leave a secure mountain city, settle a thorny plain, build high and forget the first place until upheaval creates need for it.

Interpretation

The English gives the riddle a miniature narrative. The former city is not identified as a specific historical fortress, and its destruction is not narrated: it is the chosen lower settlement whose security collapses.

Return to parallel text

25–26Interpretation must make the hidden visible
25–26
Now look behind the veil these riddles cast;
Search out the hidden meanings held there fast.
Declare the secret now before the learned,
And let the black earth into musk be turned.”
به پرده درست این سخنها بجوی
به پیش ردان آشکارا بگوی
گر این رازها آشکارا کنی
ز خاک سیه مشک سارا کنی
Ganjoor · m20:26-27
Textual evidence

The challenge asks for the meaning behind the veil and compares successful disclosure to turning black earth into musk.

Interpretation

The English’s closing demand keeps wisdom as interpretive action. The physical impossibility is a metaphor for insight’s value, not a seventh practical task in chemistry.

Return to parallel text

Chapter source record