New Naqqaliشاهنامه
Fereydoon and His Sons · A6.27

The Death of Fereydoon

The three heads remain before the bereaved father. The reign ends by measuring all royal achievement against mortality and the survival of a good name.

F&R English · 24 couplets · 4 commentary entries

The chapter in five texts

TextChapter treatment and distinctive choices
F&R EnglishTwenty-four couplets retain the longer paternal lament, public mourning and ethical coda.
MoscowPp 133–134 close the reign with the three heads, death and funeral; supplementary closing material is distinguished in the apparatus.
MohlPp 105–106 print the fuller lament and coda, giving the English ending a clear Persian location.
GanjoorSh20.65–75 supplies only eleven couplets at the close, ending after the first world-address.
KhaleghiP 157 prints the tomb and first world-address, with the week of public mourning and additional coda preserved in the apparatus.

Parallel text

English left · Persian right. Ganjoor is the reference except where a row names a printed source. Select a number to open the relevant note. G identifiers distinguish digital sections across chapter boundaries.

1–9+
When all was done, his day of fortune died;
The Kayanian tree’s green leaves shrank and dried.
He turned aside from royal crown and throne,
With three kings’ severed heads before him shown.
The aged ruler wept in bitter pain,
And lived beneath affliction’s heavy reign.
At every hour he raised a mourning cry,
And spoke these words with tears in either eye:
“My day has turned, and darkness fills my breast;
Those three who gave me joy now give no rest.
Before my eyes such misery was brought,
By vengeance and the will of evil thought.
From evil nature and from wicked deeds,
Such ruin follows when the young give heed.
They would not heed the order I made plain;
So all three youths found bitterness and pain.”
His heart ran blood; both cheeks were wet with tears;
Thus lived he till the ending of his years.
چو این کرده شد روز برگشت بخت
بپژمرد برگ کیانی درخت
کرانه گزید از بر تاج و گاه
نهاده بر خود سر هر سه شاه
پر از خون دل و پر ز گریه دو روی
چنین تا زمانه سرآمد بروی
نبردند فرمان من لاجرم
جهان گشت بر هر سه برنا دژم
Ganjoor f20:65–67 + selected Mohl pp 105–106
10–16+
Fereydoon passed; his name remained in light,
While long years followed in their endless flight.
Good name and righteousness are all that stay;
What gain from loss, my son, along the way?
Manuchehr laid the Kayanian crown aside,
And bound a bloody girdle at his side.
By royal rite he raised a tomb of old,
From lapis lazuli and crimson gold.
An ivory throne they set beneath the crown;
Above the seat the royal crown hung down.
They came to bid farewell in solemn way,
As rite and faith had ordered for that day.
They closed the tomb upon the honored king;
The world brought low the lord of everything.
فریدون شد و نام ازو ماند باز
برآمد برین روزگار دراز
همان نیکنامی به و راستی
که کرد ای پسر سود برکاستی
منوچهر بنهاد تاج کیان
بزنار خونین ببستش میان
برآیین شاهان یکی دخمه کرد
چه از زر سرخ و چه از لاژورد
نهادند زیر اندرش تخت عاج
بیاویختند از بر عاج تاج
بپدرود کردنش رفتند پیش
چنان چون بود رسم آیین و کیش
در دخمه بستند بر شهریار
شد آن ارجمند از جهان زار و خوار
Ganjoor · f20:68-74
17–18+
For one full week Manuchehr wept in grief;
His yellow cheeks and tears found no relief.
One week the king remained in mourning deep;
The city and bazaars joined him to weep.
منوچهر یک هفته با درد بود
دو چشمش پرآب و دو رخ زرد بود
یکی هفته با سوگ بود شهریار
از شهر و بازارها سوگوار
Mohl p 106; compare Khaleghi p 157 apparatus
19–24+
O world, all fraud and wind from end to end,
No wise man finds in you a faithful friend.
One after one you nurture with delight,
Whether their lives are long or brief in flight.
Since what you give you take again away,
What matters dust or coral on that day?
Be king or subject under any name;
Once this world takes your breath, all ends the same.
Then grief and joy like water run and drain;
Do not torment your heart for what must wane.
Blessed the one whose goodness leaves its mark,
Be servant or a king when days grow dark.
جهانا سراسر فسوسی و باد
بتو نیست مرد خردمند شاد
یکی را همی پرورانی به ناز
چه کوتاه عمر و چه از حد دراز
چو مر داده را بازخواهی همی
چه غم گر بود خاک اگر گوهری
اگر شهریاری و گر زیردست
چو از تو جهان آن نفس را گسست
خنک آن کز او نیکویی یادگار
بماند اگر بنده گر شهریار
Ganjoor f20:75 + selected Mohl p 106; compare Khaleghi p 157 apparatus

Narrative and poetic form

This ending is a powerful reason to retain the translation’s breadth. The father’s final sight is not a restored family but three severed heads. The longer close lets the poem distinguish victory from consolation and lasting goodness from temporary dominion.

Couplet commentary

Quoted text · evidence · interpretation
1–9Victory cannot repair the family
1–9
When all was done, his day of fortune died;
The Kayanian tree’s green leaves shrank and dried.
He turned aside from royal crown and throne,
With three kings’ severed heads before him shown.
The aged ruler wept in bitter pain,
And lived beneath affliction’s heavy reign.
At every hour he raised a mourning cry,
And spoke these words with tears in either eye:
“My day has turned, and darkness fills my breast;
Those three who gave me joy now give no rest.
Before my eyes such misery was brought,
By vengeance and the will of evil thought.
From evil nature and from wicked deeds,
Such ruin follows when the young give heed.
They would not heed the order I made plain;
So all three youths found bitterness and pain.”
His heart ran blood; both cheeks were wet with tears;
Thus lived he till the ending of his years.
چو این کرده شد روز برگشت بخت
بپژمرد برگ کیانی درخت
کرانه گزید از بر تاج و گاه
نهاده بر خود سر هر سه شاه
پر از خون دل و پر ز گریه دو روی
چنین تا زمانه سرآمد بروی
نبردند فرمان من لاجرم
جهان گشت بر هر سه برنا دژم
Ganjoor f20:65–67 + selected Mohl pp 105–106
Textual evidence

The shared core has the withered Kayanian tree, withdrawal from rule and all three heads before the father. Mohl pp 105–106 prints the longer lament explaining his grief.

Interpretation

The father mourns both the innocent son and the guilty sons. The English’s fuller speech does not undo the moral distinction between them; it shows that justified retribution cannot restore the household.

Return to parallel text

10–16A good name and a royal tomb
10–16
Fereydoon passed; his name remained in light,
While long years followed in their endless flight.
Good name and righteousness are all that stay;
What gain from loss, my son, along the way?
Manuchehr laid the Kayanian crown aside,
And bound a bloody girdle at his side.
By royal rite he raised a tomb of old,
From lapis lazuli and crimson gold.
An ivory throne they set beneath the crown;
Above the seat the royal crown hung down.
They came to bid farewell in solemn way,
As rite and faith had ordered for that day.
They closed the tomb upon the honored king;
The world brought low the lord of everything.
فریدون شد و نام ازو ماند باز
برآمد برین روزگار دراز
همان نیکنامی به و راستی
که کرد ای پسر سود برکاستی
منوچهر بنهاد تاج کیان
بزنار خونین ببستش میان
برآیین شاهان یکی دخمه کرد
چه از زر سرخ و چه از لاژورد
نهادند زیر اندرش تخت عاج
بیاویختند از بر عاج تاج
بپدرود کردنش رفتند پیش
چنان چون بود رسم آیین و کیش
در دخمه بستند بر شهریار
شد آن ارجمند از جهان زار و خوار
Ganjoor · f20:68-74
Textual evidence

Death leaves a name; Manuchehr sets aside the crown, dons a bloody girdle and builds the gold-and-lapis tomb with an ivory throne and suspended crown.

Interpretation

The funeral preserves distinctions of rank even as death empties their power. The English keeps the formal objects so the final leveling reflection has something concrete to work against.

Return to parallel text

17–18The week of mourningMain text versus apparatus
17–18
For one full week Manuchehr wept in grief;
His yellow cheeks and tears found no relief.
One week the king remained in mourning deep;
The city and bazaars joined him to weep.
منوچهر یک هفته با درد بود
دو چشمش پرآب و دو رخ زرد بود
یکی هفته با سوگ بود شهریار
از شهر و بازارها سوگوار
Mohl p 106; compare Khaleghi p 157 apparatus
Textual evidence

Mohl p 106 prints Manuchehr’s week of grief and the city and bazaars sharing the mourning. Khaleghi p 157 places this additional week-and-bazaar couplet in the apparatus, beyond the main narrative’s tomb closure.

Interpretation

The English makes grief a public duration. Its inclusion has printed support, while the apparatus placement records a different editorial judgment about the extent of the continuous text.

Return to parallel text

19–24The fuller closing address
19–24
O world, all fraud and wind from end to end,
No wise man finds in you a faithful friend.
One after one you nurture with delight,
Whether their lives are long or brief in flight.
Since what you give you take again away,
What matters dust or coral on that day?
Be king or subject under any name;
Once this world takes your breath, all ends the same.
Then grief and joy like water run and drain;
Do not torment your heart for what must wane.
Blessed the one whose goodness leaves its mark,
Be servant or a king when days grow dark.
جهانا سراسر فسوسی و باد
بتو نیست مرد خردمند شاد
یکی را همی پرورانی به ناز
چه کوتاه عمر و چه از حد دراز
چو مر داده را بازخواهی همی
چه غم گر بود خاک اگر گوهری
اگر شهریاری و گر زیردست
چو از تو جهان آن نفس را گسست
خنک آن کز او نیکویی یادگار
بماند اگر بنده گر شهریار
Ganjoor f20:75 + selected Mohl p 106; compare Khaleghi p 157 apparatus
Textual evidence

Ganjoor ends with one couplet addressing the world as fraud and wind. Mohl p 106 continues through mortality’s leveling of kings and servants to the surviving memory of goodness. Khaleghi p 157 prints the first address in the main text and records additional closing verses below in the apparatus.

Interpretation

The English’s ethical close is not simply six invented moralizations after a short Persian ending. It preserves a transmitted longer farewell, whose different editorial placement should remain visible. Goodness and a remembered name are what the story leaves standing after the failure of possession and the incompleteness of vengeance.

Return to parallel text

Chapter source record