Fereydoon Receives the Head of Salm
The victorious heir returns; Fereydoon arranges succession and transfers responsibility to Sahm before asking release from life.
The chapter in five texts
| Text | Chapter treatment and distinctive choices |
|---|---|
| F&R English | Fifty couplets preserve the second letter, Sahm’s guardianship and the fuller release-prayer, and arrange a final paternal crowning. |
| Moscow | The return and succession occupy the reign’s close; the main-text sequence is shorter in places than the full Mohl account. |
| Mohl | Pp 104–105 support the fuller homecoming, Sahm handoff and desire to leave the world. |
| Ganjoor | Sh20.40–64 has no second victory letter or Sahm guardianship scene, and differs in the order and agent of treasure distribution. |
| Khaleghi | Pp 153–156 print the second letter and succession material; local main-text and apparatus extent must be distinguished rather than inferred from Ganjoor. |
Parallel text
English left · Persian right. Ganjoor is the reference except where a row names a printed source. Select a number to open the relevant note. G identifiers distinguish digital sections across chapter boundaries.
Narrative and poetic form
The fuller English is strongest where it shows the transfer of care as well as the transfer of a crown. The small reordered acts at the close should be disclosed, while the larger movement from victory to exhaustion remains fully intelligible.
Couplet commentary
Quoted text · evidence · interpretation1–11A second letter and a second severed head
Khaleghi pp 153–154 and Mohl pp 103–104 print the victory letter and dispatch of Salm’s head. Ganjoor’s corresponding point passes from the army’s treatment to the treasury instruction without this letter.
The repeated head-message echoes Iraj’s original dispatch. The English preserves the symmetry, but the victor’s cleansing language remains his own triumphal account; the father’s last grief will complicate it.
12–24Spoils and the northern homecoming
Shirviyeh is sent to the fortress wealth, the army turns inland, and thrones, litters and banners prepare the approach to Tammisheh and Sari from the sea of Gilan.
The geography is an epic northern itinerary, not an exact modern military route. The English retains proper names and the visual transformation of the earlier battlefield abundance into a homecoming procession.
25–32The old king meets the new
The king comes to receive Manuchehr; the young ruler dismounts, honors the royal insignia and is embraced. English makes the old king’s coming on foot explicit and extends the clasp of welcome.
Ceremony yields to bodily affection. The two rulers’ relation is neither simple replacement nor merely hierarchical submission; the older man recognizes the descendant who fulfilled his hope.
33–41Sahm receives the heir’s hand
Mohl p 105 prints Sahm’s arrival from Hind, unrequested treasure and Fereydoon’s placing Manuchehr in his care. This longer guardianship scene is absent from the captured Ganjoor sh20.
The English retains the institutional handoff beneath a personal gesture. The prince inherits sovereignty, but seasoned counsel remains necessary. Sahm’s role is guardianship and support, not a transfer of the royal title.
42–46Justice granted, life relinquished
Ganjoor gives the appeal to the just Judge and acknowledgment of crown and signet. Mohl p 105 continues with the desire to leave this narrow dwelling; the English preserves that fuller prayer.
Victory does not renew Fereydoon’s appetite for life. The expanded prayer is the emotional bridge from achieved justice to retirement and death.
47–50Treasure and enthronement reorderedInvestiture sequence and agency
Ganjoor seats Manuchehr before Shirviyeh arrives and explicitly makes Manuchehr distribute the treasure. English puts arrival and distribution first, with the old Shah as giver, then his personal crowning of the heir. Mohl p 105 has the fuller distribution near the end of Mehr.
This is a difference of sequence and agency, not merely a shortened list. The English creates a clean last act of paternal investiture. The source record allows that design to be appreciated without presenting every step as identical across the comparison texts.
New Naqqali