New Naqqali
The Blind Owl · scene 28 of 77 · part two

Waking in the ancient room with bloody hands

He wakes in a world more familiar than his former life, a tallow lamp on the shelf, his cloak and scarf spotted with blood. Expecting the police chief, with poisoned wine waiting on the shelf, he draws the lamp toward him and begins to write.

Scene 28 of The Blind Owl, Waking in the ancient room with bloody hands: ink-and-wash drawing
Lines
P083.L01–P084.L06
Where
a small room in ancient Ray (his room in Part 2)
Who
narrator
Kind
action · Optional scene
Echoes
Scene 1: The shadow bent on the wall

Who and what is here

For the illustration Twilight in a small room: a bloody-handed man drawing a tallow lamp toward a sheet of paper.

The text of the scene

Sadegh Hedayat’s Persian beside our literal English, line by line.

P083.L01

در دنیای جدیدی که بیدار شده بودم محیط و وضع آنجا کاملاً به من آشنا و نزدیک بود، بطوریکه بیش از زندگی و محیط سابق خودم به آن انس داشتم.

In the new world in which I had awakened, its surroundings and condition were completely familiar and close to me, so much so that I was more accustomed to it than to my former life and surroundings.

P083.L02

مثل اینکه انعکاس زندگی حقیقی من بود. یک دنیای دیگر ولی به قدری به من نزدیک و مربوط بود که به نظرم می‌آمد در محیط اصلی خودم برگشته‌ام.

It was as though it were the reflection of my true life. Another world, but so close and connected to me that it seemed I had returned to my original surroundings.

P083.L03

در یک دنیای قدیمی اما در عین حال نزدیکتر و طبیعی‌تر متولد شده بودم.

I had been born in an ancient world, yet one that was at the same time closer and more natural.

P084.L01

هوا هنوز گرگ و میش بود. یک پیه‌سوز سر طاقچه اطاقم می‌سوخت، یک رختخواب هم گوشه اطاق افتاده بود.

It was still twilight. A tallow lamp was burning on the shelf of my room; bedding was also lying in the corner of the room.

P084.L02

ولی من بیدار بودم، حس می‌کردم که تنم داغ است و لکه‌های خون به عبا و شال گردنم چسبیده بود. دستهایم خونین بود.

But I was awake; I felt that my body was hot and spots of blood were stuck to my cloak and neck scarf. My hands were bloody.

P084.L03

اما با وجود تب و دوار سر، یکنوع اضطراب و هیجان مخصوصی در من تولید شده بود که شدیدتر از فکر محو کردن آثار خون بود، قوی‌تر از این بود که داروغه بیاید و مرا دستگیر کند.

But despite the fever and dizziness, a particular kind of anxiety and agitation had arisen in me, stronger than the thought of erasing the traces of blood, stronger than the possibility that the police chief might come and arrest me.

P084.L04

و آنگهی مدتها بود که منتظر بودم به دست داروغه بیفتم. ولی تصمیم داشتم که قبل از دستگیر شدنم پیاله شراب زهرآلود را که سر رف بود به یک جرعه بنوشم.

And besides, for a long time I had been waiting to fall into the hands of the police chief. But I had decided that before being arrested I would drink in one gulp the cup of poisoned wine that was on the shelf.

P084.L05

این احتیاج نوشتن بود که برایم یکجور وظیفه اجباری شده بود. می‌خواستم این دیوی که مدتها بود درون مرا شکنجه می‌کرد بیرون بکشم.

It was this need to write that had become a kind of compulsory duty for me. I wanted to pull out this demon that had been tormenting me from within for so long.

P084.L06

می‌خواستم دل‌پری خودم را روی کاغذ بیاورم. بالاخره بعد از اندکی تردید، پیه‌سوز را جلو کشیدم و اینطور شروع کردم:

I wanted to put the fullness of my heart onto paper. Finally, after a little hesitation, I drew the tallow lamp toward me and began in this way:

← Scene 27: Opium before the two portraits; the fall down the wellScene 29: Wine of my life for the shadow's throat →