
- Kind
- Place
- Persian
- اطاق من
- Also called
- اطاقم، اطاق، این اطاق، اتاقم، اطاق خودم، این اطاق فقیر، اطاق تاریک، اطاق کوچکی
- First appears
- P010.L02
- Lines
- 87
- GNML id
plc_room
In the scenes
- Scene 2: A passing gleam; life within four wallsP007.L01–P011.L03
- Scene 3: The house among ruins and the pen-case motifP012.L01–P013.L12
- Scene 4: The uncle arrives on the thirteenth of NowruzP014.L01–P015.L11
- Scene 5: The vision through the ventP015.L12–P019.L04
- Scene 6: A door ajar like a dead man's mouthP020.L01–P023.L03
- Scene 8: Two months of searching at sunsetP025.L01–P028.L19
- Scene 9: The black-clad figure on the doorstepP029.L01–P031.L08
- Scene 10: Eyes like black diamond in tearsP032.L01–P036.L04
- Scene 11: Wine through clenched teethP037.L01–P038.L06
- Scene 12: Cold hair: the dead girl and the mandrake embraceP039.L01–P042.L09
- Scene 14: Drawing the corpse by candlelightP044.L07–P047.L03
- Scene 15: The eyes open at dawnP048.L01–P049.L05
- Scene 16: The drawing in the tin box; night leaves on tiptoeP050.L01–P051.L04
- Scene 17: The bone-handled knife and the suitcaseP052.L01–P053.L08
- Scene 18: The old man under the cypress offers his hearseP054.L01–P055.L03
- Scene 19: The hearse through the geometric countryP056.L01–P060.L13
- Scene 25: Her face on the jarP075.L01–P076.L06
- Scene 27: Opium before the two portraits; the fall down the wellP080.L01–P082.L07
- Scene 28: Waking in the ancient room with bloody handsP083.L01–P084.L06
- Scene 29: Wine of my life for the shadow's throatP085.L01–P093.L07
- Scene 30: A room like a tomb; two windows on RayP094.L01–P096.L02
- Scene 31: The butcher and the black packhorsesP097.L01–P097.L14
- Scene 38: The wedding night and the floorP109.L01–P110.L10
- Scene 39: Procurer of her loversP111.L01–P113.L05
- Scene 41: Nurse's tales and the cradle for twoP116.L01–P118.L06
- Scene 43: The tomb-room and the harlot's nameP122.L01–P128.L02
- Scene 47: The headless shadowP139.L05–P141.L10
- Scene 48: The gallows at MohammadiyehP142.L01–P142.L06
- Scene 49: The water jar breaks; morningP143.L01–P145.L07
- Scene 50: The embroidered curtain above the korsiP146.L01–P147.L16
- Scene 51: The overturned soup; opium prescribedP148.L01–P150.L02
- Scene 53: Night window: call to prayer and drunken watchmenP155.L01–P157.L01
- Scene 54: The figure behind the curtain; the mirrorP158.L01–P160.L03
- Scene 56: The butcher seen from upstairsP164.L01–P164.L08
- Scene 57: The knife under the pillowP165.L01–P165.L06
- Scene 58: A coffin passes the windowP166.L01–P166.L05
- Scene 59: The room a coffin: death, fears and masksP167.L01–P175.L04
- Scene 62: Talking to the mirror under opiumP179.L01–P180.L10
- Scene 63: Nurse's tale: 'Undo your neck-scarf'P181.L01–P182.L02
- Scene 66: The harlot enters in all seven cosmeticsP187.L01–P188.L05
- Scene 69: Ring of fire; poisoned wine for twoP190.L01–P194.L04
- Scene 70: The first night with the knife; the stolen shirtP195.L01–P195.L25
- Scene 71: The knife returns from the junk dealer's clothP196.L01–P197.L02
- Scene 72: 'How does a person die?'P198.L01–P198.L19
- Scene 74: The owl on the wallP202.L01–P204.L03
- Scene 75: 'Undo your neck-scarf': the last embraceP205.L01–P207.L25
- Scene 76: Her eye in his fist; the old man in the mirrorP208.L01–P209.L09
- Scene 77: The old man vanishes into the mist with the jarP210.L01–P211.L13
Where the text names it
زندگی من تمام روز میان چهاردیوار اتاقم میگذشت و میگذرد.
My life passed, and passes, all day within the four walls of my room.
میان چهاردیوار اطاقم روی قلمدان نقاشی میکردم و با این سرگرمی مضحک وقت را میگذرانیدم.
Within the four walls of my room I painted on pen cases, and passed the time with this ridiculous amusement.
من پنجرهٔ اطاقم را بسته بودم، برای اینکه سرفارغ نقاشی بکنم.
I had closed the window of my room so that I could paint with an untroubled mind.
به محض ورود رفت کنار اطاق چمباتمه زد.
As soon as he entered, he went to the side of the room and squatted.
چراغ را روشن کردم، رفتم در پستوی تاریک اطاقم، هر گوشه را وارسی کردم تا شاید بتوانم چیزی باب دندان او پیدا کنم ـ اگرچه میدانستم که در خانه چیزی به هم نمیرسد، چون نه تریاک برایم مانده بود و نه مشروب ـ.
I lit the lamp, went into the dark back closet of my room, and searched every corner in the hope of finding something to his liking—although I knew there was nothing in the house, for I had neither opium nor liquor left.
دیدم در صحرای پشت اطاقم پیرمردی قوزکرده، زیر درخت سروی نشسته بود و یک دختر جوان ـ نه، یک فرشتهٔ آسمانی ـ جلو او ایستاده خم شده بود و با دست راستش گل نیلوفر کبودی به او تعارف میکرد
I saw that in the open ground behind my room a hunchbacked old man sat under a cypress tree, and a young girl—no, a heavenly angel—stood bent before him and offered him a blue morning glory with her right hand,
همینکه به خودم آمدم بغلی شراب را برداشتم، وارد اطاق شدم، دیدم عمویم رفته و لای در اطاق را مثل دهن مرده باز گذاشته بود.
As soon as I came to myself I took the flask of wine and entered the room; I saw that my uncle had gone and left the door of the room ajar like a dead person’s mouth.
از میان روزنهٔ پستوی اطاقم، مثل شبی که فکر و منطق مردم را فراگرفته، از میان سوراخ چهارگوشه که به بیرون باز میشد دائم جلو چشمم بود.
From through the opening of the back closet of my room, like a night that had enveloped people’s thought and reason, from through the square hole opening to the outside, she was constantly before my eyes.
فقط او را دزدکی و پنهانی از یک سوراخ، از یک روزنهٔ بدبخت پستوی اطاقم دیدم.
I had only seen her furtively and secretly through a hole, through a wretched opening in the back closet of my room.
او مثل کسی که راه را بشناسد از روی سکو بلند شد، از دالان تاریک گذشت، در اطاقم را باز کرد، و من هم پشت سر او وارد اطاقم شدم.
She rose from the platform like someone who knew the way, passed through the dark passage, opened the door of my room, and I too entered my room behind her.
نه، گول نخورده بودم. این همان زن، همان دختر بود که بدون تعجب، بدون یک کلمه حرف وارد اطاق من شده بود.
No, I had not been deceived. This was the same woman, the same girl who had entered my room without surprise, without a single word.
بهفکرم رسید که شاید گرسنه و یا تشنهاش باشد! رفتم در پستوی اطاقم تا چیزی برایش پیدا کنم؛ اگرچه میدانستم که هیچ چیز در خانه بههم نمیرسد.
It occurred to me that perhaps she was hungry or thirsty! I went into the back closet of my room to find something for her, although I knew that nothing could be found in the house.
And 75 more lines: see them all in the registry.
New Naqqali