New Naqqali
The Blind Owl · scene 61 of 77 · part two

The picture on the pen case before him

The pen case beside which he writes bears the same mad painting: hunched yogi under a cypress, finger to his mouth. Opposite, a girl in black, perhaps a Bogam-dasi, dances with a morning glory across a stream.

Scene 61 of The Blind Owl, The picture on the pen case before him: ink-and-wash drawing
Lines
P178.L01–P178.L05
Where
room (house outside the city)
Who
narrator
Kind
reflection · Optional scene
Echoes
Scene 3: The house among ruins and the pen-case motif, Scene 50: The embroidered curtain above the korsi

Who and what is here

For the illustration The writing pen case in close-up with the familiar cypress, old man, dancer and stream.

The text of the scene

Sadegh Hedayat’s Persian beside our literal English, line by line.

P178.L01

زندگی من به نظرم همانقدر غیرطبیعی، نامعلوم و باورنکردنی می‌آمد که نقش روی قلمدانی که با آن مشغول نوشتن هستم؛

My life seemed to me as unnatural, unknown, and unbelievable as the picture on the pen case with which I am occupied in writing;

P178.L02

گویا یک نفر نقاش مجنون، وسواسی روی جلد این قلمدان را کشیده.

as though a mad, obsessive painter had painted the cover of this pen case.

P178.L03

اغلب به این نقش که نگاه می‌کنم مثل این است که به نظرم آشنا می‌آید. شاید برای همین نقش است... شاید همین نقش مرا وادار به نوشتن می‌کند.

Often when I look at this picture it seems familiar to me. Perhaps it is because of this picture... perhaps this very picture compels me to write.

P178.L04

یک درخت سرو کشیده شده که زیرش پیرمردی قوزکرده شبیه جوکیان هندوستان چمباتمه زده، عبا به خودش پیچیده و دور سرش شالمه بسته به حالت تعجب انگشت سبابه دست چپش را به دهنش گذاشته؛

A cypress tree is drawn, beneath which a hunchbacked old man, resembling the yogis of India, squats, wrapped in a cloak, with a turban on his head, holding the index finger of his left hand to his mouth in astonishment;

P178.L05

رو به روی او دختری با لباس سیاه بلند و با حالت غیرطبیعی، شاید یک بوگام‌داسی است، جلو او می‌رقصد، یک گل نیلوفر هم به دستش گرفته و میان آنها یک جوی آب فاصله است.

opposite him a girl in a long black dress, with an unnatural bearing—perhaps a Bugam-dasi—dances before him, holding a morning glory in her hand, and a stream separates them.

← Scene 60: Shadow on the bathhouse wallScene 62: Talking to the mirror under opium →